The video for Jensen and The Flips’ “Slow” is a harmonious entanglement of form and content, a montage of things that are, quite simply, fun to shoot in slow-mo: smashing guitars, hitting dripping-wet snares, annihilating fruit, slapping singers in the face. Watch.
The Sarie Cruz-directed video for The Ransom Collective’s “Fools” is a light-hearted, enjoyable clip that befits the band’s doe-eyed youthfulness and playful sound, with the right amount of absurdity. Watch.
This Independence Day we’re putting the spotlight on one of local indie’s most relevant pillars, and, perhaps, its most passionate cheerleader: Peryodiko’s Vin Dancel. It gets candid, unshackled, and emotional in this new installment of “Live from the Mancave.”
Though invariably pigeonholed as the country’s answer to Tony Bennett, Arthur Manuntag is, in reality and without paradox, a jazz-vocal original. Take a gander at Richie Quirino’s Q&A from a while back.
"[Acid jazz has come to mean music that tries] to get a little bit more funk, a little bit more edge, a little bit more acid, or corruption, inside the thing, that tries to mix this thing up and corrode it a little bit," Bluey Maunick and the rest of Incognito tell Planet Jazz. Read more here.
From “Big Girls Don’t Cry” to “Can’t Take My Eyes Off of You,” you can’t help but bop your head to these tunes and just feel uplifted. Karl R. de Mesa weighs in on the Frankie Valli-propelled OST for the Clint Eastwood-directed “Jersey Boys.”
Desplat’s “Budapest” OST has both the polish of an old-school gentleman’s shoes and the grime of gunpowder that presages its descent into filth. Echoes his work on “Mr. Fox” and “Moonrise” but with a definite, uncompromising edge.
“[Alexandre] Desplat was going for a brutish kind of direct aesthetic instead of continually beating around the bush,” Karl R. de Mesa writes about the score for “Godzilla,” which is “as stupidly big” as the beast in question.
"Henry Jackman's rousing score hits the bull's eye [and] provides an aptly paranoid and gloriously over-the-top accompaniment to the Captain's brave new world." Writer Karl R. de Mesa weighs in on the OST of the new Cap movie.
"For his ambition alone, [Nathan] Furst gets high marks as he tries to outdo his own previous B-movie efforts with his debut into the big screen's film-score elite." Our man Karl R. De Mesa on the music and score for "Need for Speed."